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吳作人（1908-1997） 坐女人體
布面 油畫
20世紀30年代作
出版：1.《尋找孫佩蒼》圖5，孫元著，廣西師范大學出版社。
2.《青青子佩—民國美術(shù)史再發(fā)現(xiàn)：孫佩蒼及其收藏》P36，孫元著。
展覽：3.“2014中俄油畫創(chuàng)作高級研修班開班式”，中國藝術(shù)研究院中國
油畫院，北京。
4.“青青子佩—民國美術(shù)史再發(fā)現(xiàn)：孫佩蒼及其收藏”，中國藝
術(shù)研究院中國油畫院，北京。
5.“師道——徐悲鴻及其學生作品展”
說明：本拍品創(chuàng)作于20世紀30年代吳作人比利時留學時期。
已知市場尺幅最大、畫面最完整的吳作人留歐時期油畫作品，中國現(xiàn)代繪畫的秉要執(zhí)本。
西畫東漸第一人、民國大收藏家孫佩蒼舊藏，曾贈予中央美術(shù)學院，后于1986年由習仲勛同志特批退還予孫佩蒼家屬。
作品存校期間廣為師生鑒賞與學習，出版及展覽詳實有序。
Wu Zuoren (1908-1997) A Nude Woman
Oil on canvas
Dated the 1930s
Illustrated: 1. Seeking Sun Peicang, pl. 5, Sun Yuan, Guangxi Normal
University Publishing House
2. Qing Qing Zi Pei-Rediscovery of Art History in Republic
of China: Sun Peicang and His Collections, p. 36, Sun
Yuan
Exhibited: 3. 'Inauguration of 2014 Sino-Russia Senior Oil Painting
Seminar', Chinese National Academy of Arts | China
Academy of Oil Painting, Beijing
4. 'Qing Qing Zi Pei-Rediscovery of Art History in Republic
of China: Sun Peicang and His Collections', Chinese
National Academy of Arts | China Academy of Oil Painting,
Beijing
5. 'Way of Being a Teacher-Xu Beijing and His Students' Works Exhibition ', Hanhai Contemporary Art Center
Provenance: Made during Wu Zuoren's study in Belgium in the 1930s, it is an oil painting with the largest size and most complete content ever known in the market as well as an important model in modern Chinese painting.
Sun Peicang, a prominent collector in Republic of China and the first Chinese to introduce western oil painting to China, once presented the lot to Central Academy of Fine Arts and was later returned to Sun Peicang's family under direct approval of Xi Zhongxun in 1986.
130×90cm
RMB: 5,800,000-7,800,000