1565
關?良（1900-1986）養豬人家
布面 油畫
1960年作
出版：1.《關良》P107，人民美術出版社，2009年。
2.《關良1900-1986》P117，華藝文化，2012年。
刊載：1.《CANS藝術新聞》2012年四月刊（87號）P82，華藝文化。
2.《CANS藝術新聞》2014年一月刊（192號）P82，華藝文化。
說明：本拍品源自畫家之子關漢興。
Guan Liang (1900-1986) Pig Farming Household
Oil on canvas
Dated 1960
Illustrated: 1. Guan Liang, p. 107, People's Fine Arts Publishing House, 2009
2. Guan Liang 1900-1986, p. 117, Chinese Art Culture, 2012
Published:1. CANS Art News, issue no. 87, p. 82, Chinese Art Culture, April, 2012
2. CANS Art News, issue no. 192, p. 82, Chinese Art Culture, January, 2012
Provenance: Provided by Guan Hanxing, son of the artist.
32.2×39.2cm
RMB: 1,500,000-2,200,000
關 良?1900年生于廣東番禹。1917年隨兄東渡日本，入川端研究所師從畫家藤島武二，后轉入“太平洋畫會”師從中村不折先生，學習美術。1923年畢業于東京太平洋美術學院。歸國后，相繼任教于上海美術專科學校、上海師范學校、廣州美術學校、重慶國立藝專等。曾任上海中國畫院畫師、浙江美院教授、中國美術家協會理事、上海分會副主席。1957年與李可染一起赴德國訪問，萊比錫“伊姆茵采爾”出版公司為他出版畫冊。“文革”后在上海舉辦“關良回顧展”。1981年關良在香港辦展，并且在港中大做講演。1984年3月，關良應黃青新的邀請，赴美國紐約考察和訪問，并在黃青新家中居住。訪美期間，關良在紐約舉辦了藝術生涯中最后一個個展。
Guan Liang was born in Panyu, Guangdong province in 1900. At the age of 17, he went to Japan with his brother and studied art under the instruction of Takeji Fujishima in Kawabata Institution and later Fusetsu Nakamura in Pacific Art Association. In 1923, he graduated from Tokyo Pacific Academy of Art. After returning to China, he served teaching positions in Shanghai Normal School, Shanghai Academy of Fine Arts, Guangzhou Art School and National Art Academy of Chongqing successively. He was also a professional artist in Shanghai Academy of Chinese Painting, professor with China Academy of Art, council member of China Artists Association and Vice Chairman of China Artists Association, Shanghai Branch. In 1957, he, along with Li Keran, visited Germany and his book was published in Leipzig. After the Cultural Revolution, 'Retrospective of Guan Liang' was staged in Shanghai. In 1981, Guan held his exhibition in Hong Kong and delivered a speech at the Chinese University of Hong Kong. In March, 1984, invited by Huang Qingxin, he visited New York and stayed at Huang's home. During his stay in the United States, Guan held his last exhibition there in New York.
