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《蕉庵琴譜》為光緒刻本，夏溥齋藏書(shū)印及著名琴家古琴鑒定家查阜西題簽。
說(shuō)明：“天風(fēng)海濤”款伏羲式古琴。圓形龍池，橢圓形鳳沼。龍池鳳沼之間原刻琴名“天風(fēng)海濤”，銘文之下由其孫北京市佛教協(xié)會(huì)副會(huì)長(zhǎng)，北京市居士林林長(zhǎng)夏法圣先生于早年鐫該琴相關(guān)情況，更加表明此琴斷代明確，傳承有序。該琴原配青白玉琴軫，白玉雁足，玉質(zhì)細(xì)膩，冰潤(rùn)熒潔，岳山高起處嵌作紫檀，冠角亦為紫檀材質(zhì)，琴面嵌螺鈿徽。整張琴未作任何剖腹等后期修復(fù)處理，品相佳美。琴身為伏羲式，觀之醇和寬扁，極符古琴唐圓宋扁之特征。琴面及背板髹漆，呈深棕栗色，漆面呈小蛇腹斷，梅花斷，及牛毛斷，以上多種斷紋必經(jīng)千百年才能得。該琴經(jīng)數(shù)百年琴人彈撫，及琴身本體的自然變化，音色松透有力，極富金石聲。彈曲則運(yùn)指順滑，人琴合一，久撫不倦，令聽(tīng)者人回味悠長(zhǎng)。
藏者簡(jiǎn)介：夏溥齋（1883～1966）名繼泉，字溥齋，號(hào)蓮居。鄆城縣城關(guān)鎮(zhèn)夏莊村人。清時(shí)曾任靜海縣知縣，河南汝陽(yáng)道臺(tái)、山東省鹽務(wù)司。后在濟(jì)南結(jié)交了日本佛教徒神田次一郎，隨其東渡日本，對(duì)佛學(xué)有很深的研究。抗戰(zhàn)勝利后回國(guó)，是著名的收藏家、鑒別家，擅畫(huà)山水，善操古琴。
BEFORE MING DYNASTY A GUQIN TRIO INCLUDING A ‘FUXI’ STYLE GUQIN ‘TIAN FENG HAI TAO’ (HEAVENLY WIND OVER DASHING SEA WAVES) HOUSED BY XIA PUZHAI, A GUQIN MUSIC COMPOSITION, ‘JIAO’AN QIN PU’, AND A RED LACQUERED WOOD GUQIN TABLE WITH LANDSCAPE PATTERNS
‘Jiao An Qin Pu' is a block-printed anthology in Guangxu period, Qing Dynasty. It was previously collected by Xia Puzhai and titled by Zha Fuxi, Modern Guqin Master.
Note:Attached is a Guqin table made in Qing Dynasty and a Guqin composition ‘Jiao An Qin Pu’ of which the title is signed by Zha Fuxi, a modern Guqin Master.
Provenance:Provided by Xia Puzhai's Family.
Literature:Overtone, the sixth Book of Ten Extra Stories of Quyuan Garden, pp. 10, 18, authored by Xia Lianju (courtesy named Puzhai)
琴長(zhǎng)：122.8cm 額寬：22.6cm 肩寬：21.2cm 尾寬：15.5cm
書(shū)案高：84cm 長(zhǎng)：134cm 寬：52cm
RMB: 2,800,000－4,000,000
備注：此件拍品另附清·漆制琴案及查阜西題簽《蕉庵琴譜》一套，共一組三件。
來(lái)源：夏溥齋先生家屬友情提供。
著錄：《渠園外篇十種》第六冊(cè)《弦外音》P10，18，夏蓮居（字溥齋）著。